Ravi Shankar, Founding Editor

Ravi Shankar is Poet-in-Residence and Associate Professor of English at Central Connecticut State University, Chairman of the Connecticut Young Writers Trust and the founding editor of Drunken Boat. He has published or edited seven books of poems, including Deepening Groove, Radha Says, Seamless Matter, Voluptuous Bristle, Wanton Textiles, and Instrumentality. Along with Tina Chang and Nathalie Handal, he edited Language for a New Century: Contemporary Poetry from Asia, the Middle East & Beyond (W.W Norton & Co.), called “a beautiful achievement for world literature” by Nobel Laureate Nadine Gordimer. He has won a Pushcart Prize, been featured in The New York Times and the Chronicle of Higher Education, appeared on the BBC and NPR, and has performed his work around the world. He is currently on the faculty of the first international MFA Program at City University of Hong Kong.

Erica Mena, Managing Editor

Erica Mena is a poet, translator, and book artist. She holds an MFA in literary translation from The University of Iowa and an MFA in poetry from Brown University. Her chapbook Featherbone is forthcoming from Ricochet Editions. Her translation of the classic Argentine sci-fi graphic novel The Eternonaut is forthcoming from Fantagraphics. Her work has appeared in PANK, Vanitas, Versal, Asymptote, Two Lines, Words without Borders, PEN America, The Iowa Review and The Kenyon Review, among others. She is the managing director of the American Literary Translators Association, and the founding editor of Anomalous Press, and blogs at

T. M. De Vos, Managing Editor 

T. M. De Vos is co-editor-in-chief of Gloom Cupboard, an online literary and arts magazine, and author of Cimmeria, a poetry collection forthcoming from Červena Barvá Press. Her work has appeared most recently in pacificREVIEWburntdistrictQuiddity, Hawaii Pacific Review, Painted Bride Quarterly, Tidal Basin Review, Prime Number Magazine, Caper Journal, Pedestal, HOBART, Dossier Journal, Bosphorus Art Project Quarterly, Sakura Review, and the Los Angeles Review. DeVos has earned an MFA from New York University and a Hopwood Award from the University of Michigan. She is currently working on her first novel. 

Emily Vizzo, Assistant Managing Editor

Emily Vizzo is a San Diego writer and educator who recently completed her MFA in Writing at the Vermont College of Fine Arts. An August 2013 resident at the Vermont Studio Center, her work has recently appeared in FIELD, North American Review, Ellipsis and Jet Fuel Review. Her essay, “A Personal History of Dirt,” was listed as a notable essay for Best American Essays 2013. A National Writing Project fellow with the San Diego Area Writing Project, she teaches yoga at the University of San Diego. 

Genevieve Pfeiffer, Production Editor

Genevieve Pfeiffer is a poet, editor and educator with a nonfiction habit. She currently serves as a member of the Board of Directors and manages the social media for a start-up non-profit, We Read Together, and has facilitated workshops with both young children and incarcerated women. Her work has appeared in a few places, including BlazeVox, Crack the Spine and So to Speak: a feminist journal for language and art. She is about to hand in her thesis at Sarah Lawrence College, and hopes for sleep. Find her online at BlackWidowProse.

Rose McNeill, Vintage Drunken Boat Editor

Rose McNeill is a poet, journalist, fiction writer and aspiring novelist. She recently graduated from the University of Delaware with a degree in English Creative Writing. She has reported for the the UD Review, the Cecil Whig, and the Newark Post. Her poetry and photography has appeared in Caesura and the Main Street Journal. This past spring her poem was selected as one of five to be featured as part of a display of "Random Acts of Poetry" across the University of Delaware campus.

Production Team: María José Gimenez, Gregg Schroeder, Kathryn Henion, Nicholas Wong, Candy Shue, Carly Greenberg

Sybil Baker, Fiction Editor

Sybil Baker is the author of The Life Plan, Talismans, and Into This World. She spent twelve years teaching in South Korea before returning to the States in 2007. She is an Assistant Professor of English (Creative Writing) at the University of Tennessee at Chattanooga, where she serves as the Assistant Director of the Meacham Writers’ Workshop. A recent recipient of a MakeWork grant for Chattanooga, she teaches in the first international MFA program at City University of Hong Kong and at the Yale Writers’ Conference. She is Fiction Editor at Drunken Boat.

Erin Wilcox, Nonfiction Editor

Erin Wilcox is a writer, poet, editor, and musician. Her creative work has been featured in numerous publications including Praxis: Gender and Cultural Critiques, Spiral Orb, Stoneboat, and Cold Flashes: Literary Snapshots of Alaska. Her story “Half a World Away,” published in Crack the Spine Literary Journal, was nominated for a Pushcart Prize in 2014. The founder of the Editorial Freelancers Association's Arizona chapter and former copyeditor for Alaska Quarterly Review, Erin maintains a vigorous freelance editorial practice and writes for various trade and scholarly journals such as Copyediting and Text: Journal of Writing and Writing Courses.

Gregg Schroeder, Assistant Nonfiction Editor

Gregg Schroeder is a writer and editor. He earned his MFA in fiction from City University of Hong Kong and his undergraduate degree in journalism from Cal Poly, San Luis Obispo, Calif. He is the coordinator for the Tongzhi Literary Group promoting LGBTIQ writing in Hong Kong. His creative work recently appeared in The New Guard and he is now scribbling short stories.

Nonfiction Readers: Nina Feng, Hayley Katzen
Nonfiction Intern: Alexandra Besket

Michelle Chan Brown, Poetry Editor

Michelle Chan Brown’s Double Agent was the winner of the 2012 Kore First Book Award, judged by Bhanu Kapil. Her work has appeared or is forthcoming in Blackbird, Cimarron Review, The Missouri Review, Witness and other journals and anthologies. A Kundiman fellow and two-time Pushcart Prize nominee, Michelle has received scholarships from the Sewanee Writers’ Conference, the Vermont Studio Center, and others. She is currently en route to Almaty, Kazakhstan on a Fulbright. Find her online at

Nicholas YB Wong, Assistant Poetry Editor

Nicholas YB Wong is the author of Self Splt (Kaya Press, forthcoming 2014). He is a finalist of Wabash Poetry Prize and New Letters Poetry Award, both in 2012. His work is forthcoming in The Common, Cream City Review, Minnesota Review and Sonora Review.

Poetry Readers: Matthew Hamilton, Ching-In Chen, Thao Nguyen, Jim Redmond, Candy Shue, Alicia Gregory, Hong-Thao Nguyen

Anna Rosenwong, Translation Editor

Anna Rosenwong is a translator, poet, editor, and educator. She holds an MFA from the University of Iowa and a PhD from UC Irvine. Her book-length publications include Roció Cerón’s Diorama, José Eugenio Sánchez's Suite Prelude a/H1N1, and an original collection of poetry, By Way of Explanation. Her literary and scholarly work has been featured in World Literature Today, The Kenyon Review, Translation Studies, The St Petersburg Review, Pool, and elsewhere.

Translation Readers: Allison Charette, María José Gimenez, Christopher Schafenacker 

María José Gimenez, Assistant Translation Editor

​María José Giménez is a translator, editor and rough-weather poet with a rock climbing problem. Her work has appeared in Drunken Boat, The Fourth RiverThe Apostles Review, and Cactus Heart, and in the anthologies Cloudburst: An Anthology of Hispanic Canadian Short Stories and Cuentos de nuestra palabra en Canadá: Primera hornada. Her translations include poetry, short fiction, essays, screenplays, and a mountaineering memoir. Find her at

Shira Dentz, Reviews Editor

Shira Dentz is the author of two books, black seeds on a white dish (Shearsman, 2011), and door of thin skins (CavanKerry, 2013), and two chapbooks, Leaf Weather (Tilt/Shearsman, 2012), and Sisyphusina (forthcoming from Red Glass Books). Her writing has appeared widely in journals including The American Poetry Review, The Iowa Review, and New American Writing, and featured online at The Academy of American Poets’ Poem-a-Day series, NPR, Poetry Daily, OmniVerse, and Verse Daily. She is the recipient of an Academy of American Poets’ Prize, the Poetry Society of America’s Lyric Poem and Cecil Hemley Memorial Awards, Electronic Poetry Review’s Discovery Award, and Painted Bride Quarterly’s Poetry Prize. A graduate of the Iowa Writers‘ Workshop, she has a Ph.D. in Creative Writing and Literature from the University of Utah, and is currently Lecturer in Creative Writing at Rensselaer Polytechnic Institute in Troy, New York.

Carly Greenberg, Assistant Reviews Editor

Carly Greenberg is a writer completing her English thesis at New College, Honors College of Florida. Her interest in combining literature and film has led her to work with MP Management and JV8INC. She has been featured in publications such as Cleaver Magazine and Metazen, with work forthcoming in Really System. When she is not putting the final touches on her theatrical adaptation of a Beat novel, she serves as a reader for the Charlotte Sheedy Literary Agency. 

Sreedhevi Iyer, Hong Kong Editor

Sreedhevi Iyer is a double-hyphen — Indian-Malaysian-Australian. Her fiction work at Drunken Boat has been nominated for a Pushcart Prize. Her work has appeared in Hotel Amerika (US), Free Word Centre (UK), Cha: An Asian Literary Journal (Hong Kong), The Asian American Literary Review (US) and Two Thirds North (Stockholm). She blogs for the Asia Literary Review She obtained her MFA in Asian Writing from City University Hong Kong, and has work forthcoming from Malaysia, Hong Kong, and Sardinia.

Jamie Townsend, Blog Editor

Jamie Townsend is the managing editor of Aufgabe, and Elderly, an emergent hub of ebullience and disgust. He is author of STRAP/HALO (Portable Press @ Yo-Yo Labs; 2011), Matryoshka (LRL Textile Editions; 2011), and THE DOME (Ixnay Press; 2011), as well as the forthcoming long-player SHADE (Elis Press, 2014).